 |
 Richard Anderton
  Roman Bust
Digital print
BTRISTOL, UK
Send a message to the artist
 | |
add comment
 Richard, a 'ripsnorter' digital print. Not a 'brick short of a load' type print but a 'ripsnorter'. . -Michael Zschech - 2/22/2007 Reply
 Interesting work like to see more in 2007. . -Michael Florrimell - 2/23/2007 Reply
 Hi Richard. I sent a comment before but it doesn't seem to have uploaded. I think the print is great and so does everyone I showed it to. . -Jim Brodie - 3/11/2007 Reply
 Another grave stone, what is it with the grave stones in this portfolio. . -Jason Stolanck - 3/14/2007 Reply
 I think some artist's have tuned into the same spirit/thought pattern (I don't think it's a 'Yowie'). False gods, death, the after-life/eternity. Tell me whom is going to avoid it? Some of the best and most wonderful sculptures can be seen in some grave yards. If printmakers think they have it die-hard then look at the sculptor's lot, their work has really only about four areas where they can go: public parks, reliefs on buildings, galleries and in cemeteries. I think this work is terrific and reminds me of some carved work in the forty acre cemetery in the Bronks, New York. Now who's ready to 'pass over the Great Divide'? . -Michael Zschechb - 3/15/2007 Reply
 Yeah Michael If you think about it gravestones are probably have a much longer archival life than prints on paper. Sort of a life after life . -Jim Brodie - 3/16/2007 Reply
 Hey boys, outside Australia you can find sculptures in places other than the grave yard. This one is an ancient god (true or false) found in a ruined temple so get off the gravestone thing. Perhaps i'm wrong and it is the grave of an exceptional lady? Who knows? . -Paul Thirkell - 3/17/2007 Reply
 Not just outside Australia Paul. There is a sculpture of Wally Lewis outside of Suncorp stadium in Brisbane. . -Jim Brodie - 3/17/2007 Reply
 Can you send me a photo of Wally please Jim - I want to make a print! . -Paul Thirkell - 3/17/2007 Reply
 You still have time to go in the 2007 portfolios uncle, perhaps you could print up a Wally for us. Instead of a print you could make a edition of Wally's of coarse you would have to fit in with the themes war peace and freedom. . -Michael Florrimell - 3/18/2007 Reply
 Hi paul Do you want a photo of Wally or a photos of the Wally scultpure? He was known as the Emperor of Lang Park befire they redeveloped Lang Park and changed the name to Suncorp Stadium after the sponsor of the redevelopment,an insurance company. . -Jim Brodie - 3/26/2007 Reply
 Maybe we could send you a Wally from Tasmania for your Australian Indgenous collection. We have thousands down here. I go see if I can catch one. . -Chris Green - 3/28/2007 Reply
 I think that's probably a different kind of Wally in Tasmania.
Wally Leswis played RUGBY LEAGUE not that victoria game based on Gaelic football.
. -Jim Brdie - 5/16/2007
Reply
 Hi all you Aussies and poms come to USA for wally where every where. Wally Mart you can shop all day and drive around in circles.
. -Wally Wall Mart - 8/4/2007
Reply
 Is that WAlMart, the store Paris Hilton din't know existed? I hear Wal Mart is great.
Jim Brodie Everybody gets to negotiate their own work conditions with the company and can get paid up to $1.50 an hour.
. -Jim Brodie - 8/5/2007
Reply
 Is that WAlMart, the store Paris Hilton din't know existed? I hear Wal Mart is great.
Jim Brodie Everybody gets to negotiate their own work conditions with the company and can get paid up to $1.50 an hour.
. -Jim Brodie - 8/5/2007
Reply
|
|
 |
 Jim Brodie
  iPod therfore I am
Epson Archival digital print on Epson paper
QLD, Australia
See more work by Jim Brodie
in the EPNP gallery
in the 2001 'Nature' portfolio
in the 2002 'Art and politics' portfolio
in the 2003 'Culture' portfolio
in the 2004 'Revolution' portfolio
in the 2004 'Green Worlds' portfolio
in the 2005 'Landscape' portfolio
Send a message to the artist
 | |
Artists Statement:
Australia in 2006 is a postmodern, postcolonial, post industrial society where to a large extent consumerism, not to mention globalisation permeates our environment. Our models are now North American, specifically those of the great republic of the USA and as such may be defined as follows:
New communications media and particularly technologies of information transmission and retrieval such as the merging of televisions, telephones and computers are redefining the countenance of knowledge and entertainment ....the economic development and political deregulation of new media technologies are being framed by the liberal ideal of global community. Such an idea... seems driven more by multinational capital than by hopes for transcultural understanding. I
In other words the `new communications media', i.e. the internet, creates the expectation of a global community, but the content and control of the net is currently dominated by a desire for corporate profits rather than a desire for equity and morally acceptable practices. As Robbie Robertson, (the Australian academic, not the Canadian musician) puts it,
But globalization cannot be so easily dismissed. If universalisms based on former particularisms are to be avoided in the future, new forms of global consciousness are essential. 2
The question is how does one develop a new form of `global consciousness'? Given our reliance on technology and consumerism, which are, if nothing else, realities in both the cultural and economic sense, it seems logical to adjust our traditional Judeo-Christian mythology to the current cultural realities. This combination creates an attractive brand which allows consumers both physical and physiological satisfaction. As Wally Olins points out:
...brands represent clarity, reassurance, consistency, status, membership - everything that enables human beings to help define themselves. Brands represent identity. 3
I have attempted to do this in iPod therefore I am by combining traditional Christian, specifically Roman Catholic, iconography: Michelangelo's image of God from the Sistine Chapel ceiling fresco with the current dominant force for image and music downloads via the internet which is Steven Jobs from Apple Corporation and the iTunes download cards. The title of course is a parody of Rene Descartes' credo, `Cognito, egro sum. `(1 think therefore I am.). Thus the viewer is presented with an image of God's finger penetrating Steve's halo whilst their hands are joined on an iPod Nano. This represents an example of the concept of `intelligent design' which is particularly attractive so some Protestant sects of Christianity.
Undoubtedly there will be some who question my use of an Apple product in this new brand, however it is important to remember that in terms of popular culture, like movies, the good guys always use Macs. So Macintosh is a force for good. As the Jedi knights proclaim, `may the force be with you.'
2
If an individual has been shown the revealed truth and fails to accept it by definition he or she must be an agent of the dark side of the force like Darth Vader. The heretical belief that iPods are not a force for good has recently been enunciated by a journalist in Brisbane who says:
The iPod generation will be the death of us. Specifically it is not so much the generation or their iPods for that matter. It's the addiction one has for the other that I worry about.
However a careful reading of this article shows that the author is concerned that teenagers who listen to iPods are no longer sexually active.
...I see hordes of teenage boys silently bouncing away to whatever tune is filling their head, ignoring the hordes of teenage girls who are likewise bopping along
to their own private idaho...the lads still need to talk to the ladies in order to have sex and nobody seems to be talking anymore. s
Thus the attack on iPods and St. Steven of Apple is in fact an argument for sexual licentiousness. That sounds a bit like the Brotherhood of the Swan heresy to me. What's next, the abolition of private property? Any right thinking individual knows how to deal with heretics. Bring back the Inquisition and lets get our moral house in order.
Footnotes
I Janine Marchessault, `Learning the New Information Order', in Jody Berland and Shelly Hornstein, (eds), 2000, Capital Culture, A Reader on Modernist Legacies, McGill-Queens's University Press, Montreal & Kingston, p. 168
2 Robertson, Robbie, 2003, The Three Waves of Globalization, Fernwood Publishing, Black Point, Nova Scotia, p. 264
3 Wally Olins, 2003, On Brand, Thames and Hudson, London, p. 27
4 Rodney Chester, `Barren future ahead', in Brian Crisp, (ed), 2006, etc, the Courier Mail, Saturday October 21-22, Queensland Newspapers Pty. Ltd., p. 6
5 Ibid, p. 6
add comment
 This work is really growing on me. My first impression - that it is the rantings of a grumpy old man has been replaced by a more subtle appreciation of the classical composition transposed onto contemporary themes and mediums. . -Paul Somerset - 2/13/2007 Reply
 Hey Paul Old OK. But grumpy, that sounds like one of those pommie TV shows to me. As you know this is a big change from my original proof where I had Steve Jobs as an angel rather than as as Adam. Also I took the dogs out. Anyway I think Ipods are a perfect expression of our globalised consumer culture. As soon as it's in the shop its obsolete. In six months there will be another model with more bells and whistles.So you investmet is worth zip. It's like our current government. You pay taxes for services that they won't provide i.e. education and health without chargeing massive fees. If you match it to one computer with Itunes you can't play in on another computer unless you erase the hard drive and reformat it. So if, like me, you have 3 computers you really need 3 Ipods. When people asked me what I was doing on this print I said I was fixing up a Michelangelo image like a ot of other artists have. I mean Steve Jobs is the father of the persponalPC and like aDam he was driven from the Eden of Apple corp. However unlike Adam he managed to return and improve it. I think that says alot about the role of the entrepenur in our current mythology. . -Jim Brodie - 3/11/2007 Reply
 Jim, a 'humdinger' digital print. Not a 'bright as a two-watt bulb' type print but a 'humdinger'. . -Michael Zschech - 2/22/2007 Reply
 So what happens to people if they are not constantly inflicting themselves with nonsensical jibbering. Perhaps, as Douglas Adams suggests, their brains might start working. . -Rob - 2/22/2007 Reply
 HAHAHAHA bloody i pod's students and their i pods a night mare gone wrong. You can talk all day and they hear a word your saying hahaha. Still who can blame them. Still not as cheap as the promoters would have us believe. I mean 3 bucks for a single down load. Man if your got an old tape deck attached to a radio just tape it of there for freeee. . -Michael Florrimell - 2/22/2007 Reply
 Rob. That's the point. If people weren't destracted by something,:I'm thinking 'bread and ciruses' here they might start to think. If people start to think they start to question. We can't have that in a democratic culture. Look what happened to Athens, and they got rid of Socrates. . -Jim Brodie - 3/11/2007 Reply
 Jim, I've always wondered what the 'God-botherers' really meant when they said that 'I am because I am therefore I am' - enough to make any person go mulga. But I like the reaching out to 'touch' icon you have recycled to use and maybe 'the touch' is to zap/blast or recharge the individual in 2007 because that's what this print has done for me. Yes, this print is definately on the wallaby track, however when I go bush-walking in the surrounding National Park area where I live and pass people on the tracks wearing Ipods, I can't understand why they would want to miss out on hearing all of the natural sounds coming from around them - birds, insects, wind in caves, waves breaking, etc... Maybe it's their way of blocking out the natural surrounds because they can't fully fit into and appreciate an environment which they can not dominate/control by the push of a remote button, anyway their behaviour patterns almost makes me want to 'speak on the big white telephone'. Looking forward to reading more of your comments and seeing your next work. What I.T. program did you use to put this image together? . -Michael Zschech - 3/11/2007 Reply
 Hi Michael I think it was a descartes who said ,'I think therefore Iam. Anyway the reason people wear iPods is the same reason people like to drive cars. Years ago marshall McCluhan pointed out that for many people a car is like a spaceship or a submarine. You are in the environment but you are not of the enviornment, the car protects you from the natural world. The software I used. Photoshop for image aquistion & image editing. Corel Painter for image manipulationbecause its heaps better than Photoshop. I did most of the drawing using a Wacom drawing tablet. I imported the file into CorelDRAW for the text. I think this program is heaps more intuitive than Illustator. I ouput the print on Epson Archival paper using an EpsonSYLUS PHOTO2000 printer. . - - 3/16/2007 Reply
 Thanks Jim, I've got so much more to learn and experiment with. . -Michael Zschech - 3/17/2007 Reply
 Ive got an I Pod G4 which plays videos etc, like a little hand held DVD player, I can watch stuff on my way to my boring job each day. Lets face it anything that takes us out of our place positions in the work force these days is cool stuff. . -Chris Green - 3/28/2007 Reply
 You're right Chris.
It could be an Ipod.
It could be another form of inferior MP4 player.
It could be a mobile phone.
It could be alcohol.
It could be ice.
It could be religion.
It could be politics.
It could be 42.
It could be yoga.
. -Jim Brodie - 5/14/2007
Reply
 Jim, Wow!
. -Ben Dover - 5/14/2007
Reply
 Jim, Wow!
. -Ben Dover - 5/14/2007
Reply
 Is it true that Liberal Howard is too old and dishonest to be voted for? Johnny jogs with his Ipod so doesn't that make him hip?
. -Wonda Round - 8/8/2007
Reply
 John Howard our DEAR LEADER is always hip. He has the best interests of Australia at heart. These are usually identical to the policies of the Liberal-National coalition.
Our DEAR LEADER is also on Utube which makes him super hip and cool.
Heed john's latest message Wonda join the Aussie Defence Forces for your gap year and visit exotic and interesting places llike Bagdad, Dilli or Kabul.
Our DEAR LEADER is cooler then North Korea's DEAR LEADER.
Jim Brodie
. -jim Brodie - 8/13/2007
Reply
|
|
|
|
 |
 Ian Chamberlan
  Crusade
Etch with gold leaf
BRISTOL, UK
Send a message to the artist
 | |
add comment
 Hello Ian, great to see your work up their and noted by the judges from the Print Council and Australian print workshop. The quility of this print is in the craftmanship. The etching is surpurb in technique and concept. It reminds me of English history's of time passed. Like a tomb waiting to be opened to reveil the treasures of the passed. The themematic response in this print is sutle but strong. History's do in fact hide and reveil truth and false facts. Yes very well done Ian. Would like to see a lot more of your work in the future.
. -Michael Florrimell - 2/21/2007
Reply
 Ian, a 'fan-bloody-tastic' etching. Not a 'tinnie short of a six-pack' type print but a 'fan-bloody-tastic' print.
. -Michael Zschech - 2/22/2007
Reply
 Hi Ian
It's grat tosee a deep etched image.
. -Jjim Brodie - 3/11/2007
Reply
 This is a really amazing work. So much detail.
. -Jason Stolanck - 3/14/2007
Reply
 Ian's far too modest to say, but this print is a collograph not an etching, so he hasn't added one iota of any mustard gas to the atmosphere in making this fab print of a Greek warriors helmet (well at least as far as he knows).
. -Paul - 3/20/2007
Reply
 I EPPM stand corrected, it's a wonderful collograph.
. -Michael Florrimell - 3/20/2007
Reply
|
|
 |
 Simon Cooper
  St Anthony's Dream
etching
NSW, Australia
Send a message to the artist
 | |
add comment
 Simon, a 'grouse' etching. Not a 'couple of pies short of a grand final' type print but a 'grouse' print.
. -Michael Zschech - 2/22/2007
Reply
 Masterful work for any one who does not know Simons work def cheek it out more. I would describe SC as one of Australia's premier printmakers. This print is a wicked example and needs to be seen for real. A printmakers delite.
. -Michael Florrimell - 2/23/2007
Reply
 Simopn
This is a great image. I like the contrast between the drawing of the footie and the washes around the central image.I thought it was a litho when I first looked at it.
. -Jim Brodie - 3/11/2007
Reply
 Go the Pie's. Nothing False about footy mate, not if your a true blue Aussie. Great to see a work thats not about a grave stone. I could eat this footy its so in my face, great work Simon.
. -Jason Stolanck - 3/14/2007
Reply
 Jason, people should be banned from writing on this website about food. I couldn't go past the triple-layer mud cake in the shopping isle today and I picked one up. Thanks for your suggestive comments but no thanks for assisting myself and others to stick to a 'firm' diet! Yes, there is a rich dimensional structure, as Jim stated but not only in the etching medium's use and application but also that for many, footy is their god and has a cult-like religious following. When I was dragged off to 'church' each Sunday as a kid, I couldn't understand why my mates went to footy as I was told: you must come here (to church) and not go to the false god of mammon. God bless the Billy Bluegum bible bashers - what a balls-up for me! Think I'll cut that cake now.
. -Michael Zschech - 3/15/2007
Reply
 Jason
Are you talking about the AFL?
I always thought 'Aussie Rules' was a corruption of Gaelic football that some people followed because they couldn't play Rugby League or Gridiron.
. -Jim Brodie - 3/16/2007
Reply
 Football AFL is the game of Melbourne every friday Sat and sun sometimes monday lots of money bet on the footy you can bet. TAB is always full with punters wasting their money and drinking the last of their wages. But hey thats sport full stop. No different in Europe they bet it all on the soccer, and Jim the Irish bet it all on the footy too. Carn the Roos Carn the Saints.
. -Jason Stolanck - 3/19/2007
Reply
|
|
 |
 Mirabel Fitzgerald
  Excessive love of worldly goods
Woodcut
NSW, Australia
Send a message to the artist
 | |
add comment
 Hey Mirabel what an exciting work, love the trolly on the plinth hahaha. Yes excess we all suffer from it but some more than others, my suggestion is we all slim down on the material front. A very effect and strong work, hope to see you at the AGM in march when im up.
. -Michael Florrimell - 2/23/2007
Reply
 Nice print Mirabel, probably worth alot of money!(Ha ha). Hey is that the pedestal that someome thinks i put George Bush on? Hope you're fine. Paul
. -Paul Thirkell - 3/17/2007
Reply
 Hope your not putting GB on a pedestal Paul T. Because its not long before he comes crashing down. I think Mirabel was thinking more about consumer consumption rather than American politic's. But maybe the two go hand in hand. Although if one walks down Oxford street London one can get a real good dose of consumer culture first hand. Yes people everything has a price in our lovely western culture even ourselves. Still see this work as powerful and raw no frills only punch's.
. -Michael Florrimell - 3/18/2007
Reply
 Completely off the wall response Michael.
. -Paul Thirkell - 3/19/2007
Reply
 Yeah right professor this is a chat room not some college theatre which you have become over grounded in over the past 30 years. Maybe you should go for a walk down old Oxford St and buy yourself some cheer old sod. Hey any one would think EPPM held a gun to your head the way your grimming every one here. Man at least you got a few prints which is more than I got from the big promised land of the perpetual portfolio. God bet your rubbing your mits, hey what ever happened to my print did you burn it. You know Bansy's sign was right MILD MLID WEST hahahaha.
. -Michael Florrimell - 3/19/2007
Reply
 Woah, easy there, you sound like a tiger with a sore tail. Your prints are fine and have been waiting for some time for you to supply an address to send them to. Apologies to Mirabel for recieving a million 'someone has entered a comment under your work' messages. I'm outta here, no doubt followed by further freeform banter from the President. Sayonara.
. -Paul Thirkell - 3/20/2007
Reply
 The Tiger in me is out people so don't mess with me. I am not in a good mood. Paul T you need to get a My Space you need to look on You Tube you need to put some reggae records on and free your self from the Bristol High lands and get down to Australia quick for some good old R and R. Maybe its been Winter over there or something but it's summer here so the Aussies are cooking with summer love and fun. El Presidentaaaa solutes you my friend. Hey and bring you Guitar man there is some very wild impro jamming going on in Melb ever Monday arvo, I can see you now doing your Jimi H spirtual burnings hahahaha.
. -Michael Florrimell - 3/20/2007
Reply
 You're bonkers
. -Paul - 3/20/2007
Reply
 So you'll bring you Geee tar then.
. -Michael Forrimell - 3/20/2007
Reply
 What has all this got to do with the print. I think this print is cool as it blasts the money greedy coorporates out of the way, like to see more work like this in future portfolios.
. -Chris Green - 3/28/2007
Reply
|
|
 |
 Michael Florrimell
  Tigers make great photographers, true or false
Digital Photography
VIC, Australia
See more work by Michael Florrimell
in the EPNP gallery
in the 2001 'Nature' portfolio
in the 2001 'Love' portfolio
in the 2001 'Sin' portfolio
in the 2002 'Art and politics' portfolio
in the 2003 'Culture' portfolio
in the 2004 'Revolution' portfolio
in the 2004 'Green Worlds' portfolio
in the 2005 'Portrait' portfolio
in the 2005 'Landscape' portfolio
in the 2006 'Refugee' portfolio
Click here to visit Michael Florrimell's website
Send a message to the artist
 | |
add comment
 Michael, a 'knock yer socks off' digital/photo print. Not a 'out for lunch' type print but a 'knock yer socks off' print.
. -Michael Zschech - 2/22/2007
Reply
 False! Tigers can't take photographs.
. -Eva Lees - 2/22/2007
Reply
 Are you sure about that Eva Lees hahahaha. Anyone ever tried putting a camera in front of a tiger to find out. But yes a bit like a printmaker with a camera. Something not really encouraged in the Australian printmaking circles hahaha must be the out of focus problem. As a printmker I relie on mine and other peoples cameras for my prints. Paul Somerset photographed me in this photogrpah. Funny story but true some from Art Bank rang me in the the middle of the shoot. My tail was pinned to the ceiling could not move told the person on the other end of the phone this she cracked up laughing said I was a foolish but wished she was there to see the sight. So here it is people Michael F making a fool of himself for you. But think about it can tigers take photograpah's true or false.
. -Michael Florrimell - 2/22/2007
Reply
 Michael, yes, sitting up like Jackie, some tigers do take good photographs. I saw a documentary on tigers in Tibet whom triggered the infra-red light button on the field camera as they moved past it. They (the tigers) shot some great images. This print jumped out at me when I first saw it - a good test as to whether or not an image works or not. I like the humour, a welcome relief what with so many 'serious and heavy' images happening out there. I have a lot of time for humourists like Micky Mouse, Kylie Mole, Norman Gunstone, Charlie Chaplin, Absolutely Fabulous and the now removed ABC Glass House team (bit too touchy for some politicians; had to go?). We should all thank the medicine teacher for pointing his/her finger at us as 'Tiger' brings the power of balanced leadership to the people. On the other hand, 'Tiger' can be so elusive that one might forget they are present, or assumes they will move out of the way. This can lead to conflicts with 'Tiger' over territory. Do you (any person) prefer being in the background to the extent that you might not be noticed until conflict arises? If you prefer to keep out of the limelight, "Tiger' might be saying to you, while this can be comfortable, it can also lead to difficulties. Again thanks to the medicine teacher for pointing his/her finger at us. In the Sacred Circle of Creation, no life form is placed above another. All are equal and each has special knowledge to share with us ever since Cocky was an egg.
. -Michael Zschech - 3/10/2007
Reply
 i Michael
i love the print.
It seems photoimaging in prints may be getting a bit more popular now that people realise just how much the image maker can manipulate the imsage. thank you very much digital technolgy.
Personally I always tell the photographers I know that photography has severly damaged the social cohesion of Western culture.
. -Jim Brodie - 3/11/2007
Reply
 Thanks Jim, yes the works concern is about the use of Photogrpahy in Printmaking circles in Australia. Firstly the archive is still split into works on paper drawing and printmaking and archive 2 photography. Some print depts do have a little cross overs into photogrpahy circles but this is not encouraged. The Australian print workshop do not go past lithography as a medium. If one looks at print journals or Australian publications on printmaking usually the case is little reference to photogrpahy methods and usually no reference to art photogrpahy critic. Of coarse this is the case in reverse as well with practically no reference to printmaking in photogrpahy art circles. And don't forget Art media general is rarely mentioned in graphic or commerical circles. So what does this all mean. Basically we as artists can not concern ourselfs to deeply with medium and cross mediums. As artists in media we must bite the bullet and work accross all forms of media. The tiger in me say's I what to make etchings lithogrpahy, silkscreen, photograpahy, digital, painting, sculpture, installation, drawing, graphic design, commercial product etc etc etc. And no one is going to stop me hahahaha.
. -Michael Florrimell - 3/13/2007
Reply
 Whos in the Tiger suit, was it hot in there. Don't know about the photography thing, but maybe.
. -Jason Stolanck - 3/14/2007
Reply
 Hi Micheal.
Is the tiger in you a result of eating Kellogs Frosty Flakes? Were you influenced by Blake's poem Tiger tiger burning bright in the forest of the night?
. -Jim Brodie - 3/17/2007
Reply
 Possibly one of the most important contributions to the print/photography fusion debate this century - but what do you mean?
Tigers take better photographs than... photographers?
If true, then are they False Gods?
If false will they lose the ability to raise funds to prevent their rapid extinction?
or
Is the term "Tigers" a metaphor for you in a tiger suit (I think you have given us a clue somewhere in your extensive commentry on this website) Does that make you a great photographer? T or F?
But then this is a photo of you in a Tiger Suit with your tail nailed to the wall!
I suppose it worked for Cindy Sherman.
Riddles Batman
. -Paul.Thirkell - 3/17/2007
Reply
 The clue is the tee shirt uncle. Sorry to hear your not back in 2007.
. -Michael Florrimell - 3/18/2007
Reply
 The tee shirt printmaker is the tiger a printmaker with a camera is that the clue. So nothing to do with tigers, is that waht your saying. I like the tiger suit.
. -Chris Green - 3/28/2007
Reply
 The tee shirt reads printmaker OK. So what is the Tiger a tiger or a printmaker. Is a photogrpaher a printmaker Yes or No, your choice, I choose YES as I am a printmaker who uses photography in a lot of my work. I also use web and video and TV does this make me a printmaker Yes or No. Hahahahaha a lot of printmakers and curators would beg to differ so its the politics or the philosophy in the Identity of who is who and what is what is printmaking theory these days. So folks is Michael Florrimell the King of Printmaking or what, have your say right here right now. Yes the Tiger was just a trick to suck you into the void of my signature hehehehe, Thats artistic rights as far as im concerned.
. -Michael Florrimell - 7/18/2007
Reply
 The tee shirt reads printmaker OK. So what is the Tiger a tiger or a printmaker. Is a photogrpaher a printmaker Yes or No, your choice, I choose YES as I am a printmaker who uses photography in a lot of my work. I also use web and video and TV does this make me a printmaker Yes or No. Hahahahaha a lot of printmakers and curators would beg to differ so its the politics or the philosophy in the Identity of who is who and what is what is printmaking theory these days. So folks is Michael Florrimell the King of Printmaking or what, have your say right here right now. Yes the Tiger was just a trick to suck you into the void of my signature hehehehe, Thats artistic rights as far as im concerned.
. -Michael Florrimell - 7/18/2007
Reply
|
|
 |
 Rona Green
  Lagadore
Linocut
VIC, Australia
See more work by Rona Green
in the EPNP gallery
in the 2001 'Love' portfolio
in the 2005 'Landscape' portfolio
in the 2006 'Refugee' portfolio
Click here to visit Rona Green's website
Send a message to the artist
 | |
add comment
 Another great work Rona the rascally rabit is loose again playing tricks on printmakers every where hahaha. Truthfully it's like the rabit is jumping out of a box or pulling something out sounds like a coordiantor of a non profit artists exchange organisation hahahaha. . -Michael Florrimell - 2/22/2007 Reply
 Who's the bunny, very exciting work. Looks like the artists who made this work was having a ball. Keep the laughs coming the Art world needs to lighten up. . -Jason Stolanck - 3/14/2007 Reply
 Hi Rona, another stricking print. It looks terrific on my wall next to the other prints you have so kindly exchanged/swapped with me in the past years. Sea Dog is very happy to have another of his mother's creations next to him on the wall. Thanks. The cat in rabbit-skin cloths looks like he/she could hook anbody in with those claws. Like the symbolic 5 pointed star and it's suggestions. Hope to exchange again with you in 2007 but if you are not well or ill, I'll then understand. . -Michael Zschech - 3/24/2007 Reply
 I really like this work, really funky graphics Rona, will cheek out more on this site. . -Chris Green - 3/28/2007 Reply
 Hey Rona looks like you were tripping out on this one that rabbit could be the one out of the song white rabbit, cannee think who the band was.
. -Jimmy Mc Dew - 7/18/2007
Reply
 A seditious funny bunny. Is the bunny wearing shorts and thongs?
. -Wonda Round - 9/30/2007
Reply
|
|
 |
 Martyn Grimmer
  untitled (Tbilisi-Vladikavkaz)
Photo polymer gravure
BRISTOL, UK
Send a message to the artist
 | |
add comment
 Martyn, an 'up there Cazaly!' gravure print. Not a 'only fifty cards in the pack' type print but a 'up there Cazaly!' print.
. -Michael Zschech - 2/22/2007
Reply
 Cool work Martyn The endless highway of travel. Always amazes me how much time people spend in their cars on raods and highways. Hahahah bet someone has written a PHD on it somewhere some time. Like the fact it is a Gravure print. Not a lot of printmaking in Australia is Gravure these day' something to do with not many press equip available in Australia maybe. So keep the works coming from up your way ill be in Spain for 3 months in August but would def come back to Bristol for a visit if the locals were freindly hahaha.
. -Michael Florrimell - 2/22/2007
Reply
 Hi Martyn
This gravure print is excellent.
Boy they sure must speak a weird dialect of English in Bristol. Or is this image from somewhere else?
I mean I thought it was England, it is raining.
. -Jim Brodie - 3/11/2007
Reply
 Hi Martyn
Sorry about the last messge. it is somewhere else. I guess it helps if I read the title.
Are these places in Wales?
. -Jim Brodie - 3/11/2007
Reply
 The free way of life. Howard Arkley an Australian artists has made some fine air brush paintings of free ways. Creepy when empty, but lovely in the rain.
. -Jason Stolanck - 3/14/2007
Reply
 I just love driving in the rain in Scotland the brave.
. -Jimmy Mc Dew - 7/18/2007
Reply
 You have to be brave to drive in Scotland. Doesn't it rain a lot on the bonnie banks o Clyde?
. -JIm Brodie - 8/28/2007
Reply
 You have to be brave to drive in Scotland. Doesn't it rain a lot on the bonnie banks o Clyde?
. -JIm Brodie - 8/28/2007
Reply
|
|
 |
 Steve Hoskins
  Non-Flying Kite God
Laser cut paper
BRISTOL, UK
Send a message to the artist
 | |
add comment
 Steve, a 'bee's knees' laser print. Not a 'lights are on but nobody's home' type print but a 'bee's knees' print.
. -Michael Zschech - 2/22/2007
Reply
 This work is my total fav from all the 3 portfolios. Amazing never seen a work like it. The fragile nature of this work and the materials used spells experince and knowledge in the printmedia world. It's reference to the nature of kite making and Asian paper etc completes it's world search for historical influences. A very cool work, def not over looked and would like to see a recall with more work in 2007.
. -Michael Florrimell - 2/22/2007
Reply
 This is a really amazing work, is it cut paper what sort of paper did the artist use.
. -Jason Stolanck - 3/14/2007
Reply
 This is fantastic work, is it a kite you say, Man it must have taken some work.
. -Jimmy Mc Dew - 7/18/2007
Reply
|
|
 |
 Anne-Maree Hunter
  Speaking in Tounges
Intaglio lithography letterpress
NSW, Australia
See more work by Anne-Maree Hunter
in the EPNP gallery
in the 2001 'Nature' portfolio
in the 2002 'Art and politics' portfolio
in the 2003 'Music' portfolio
in the 2004 'Green Worlds' portfolio
in the 2005 'Portrait' portfolio
in the 2005 'Landscape' portfolio
Send a message to the artist
 | |
add comment
 There is not a lot more I can say about Anne Maree Hunters work other than so orginal it hurt's. Each year Anne push's the boundary's of printmaking using multi mediums and concepts abound. I can never wait till the end of the year to see more of this inspiring artists work. Classic Anne hope to see you back in 2007.
. -Michael Florrimell - 2/22/2007
Reply
 Hi Ann-Maree, great litho/combo print. It has a delicate, pleasing to the senses and feminine look to it which I find personally pleasing, especially in a time when some female artists are encouraged to assert a masculine look in their work (which is purely a political gender thing). Speaking in tounges, isn't that what's happening on many hugh building sites around the globe; many languages and sounds spoken and nobody understands anything another is trying to communicate? Or is it 'glossalia' happening again (a belief that if you make any non-sensical rhyming sounds then it is a God given gift called speaking in toungues)? Amazing what high/tall buildings can be built on a false (mental illness) belief but even stranger that some have the arrogance to believe that they have a God given gift of interruption of tongues (basically projecting their own dictator thoughts onto others to get what 'they' want). False Gods are the types whom hope your chooks turn into emus and kick your dunny door down! Think I'll have to go to Dubai for a while to get over 9/11 and Paddy's Bali Bar. Hoo-roo!
. -Michael Zschech - 4/15/2007
Reply
|
|
 |
 Linda Johnson
  sky ammo
Pigmented inkjet on HP productivity gloss
BRISTOL, UK
Send a message to the artist
 | |
add comment
 This was another of the works I picked out in the coordiantors notes for the 3 portfolios. I rememember Linda working on colour samples for digital printers at Bristol Uni while I was there. This form of research is interesting from a printmakers pespective. The idea of the dot as photographic transfer within print technology's has been with us for a while now. Well explored by large community's of printmakers the world over, not to mention the vast mass media print industy's. What is so real and interesting though at the end of the day is how print community's in the art commun keep on keeping on with the act of drawing or painting straight to plate. History will tell us the dot was one of the changes in technology but only a part of the over all history's from the past to the future. Interesting work though.
. -Michael Florrimell - 2/22/2007
Reply
 Don't really know about print history, but the work has a complete over all finish to it. Reminds me of Damian Hursts dot paintings he did for all those rich London clubs.
. -Jason Stolanck - 3/14/2007
Reply
 Michael, you got your facts wrong here. It was Carinna who was working on colour samples at the University of the West of England, Bristol (UWE for short)
Linda is an excellent ex Aussie artists who makes fab print related sculptural installations using themes of her choice . Although the print here is great it's a pity she had to shoehorn the work into a prescribed theme. Why not move away from this school assignment like theme thing and let the artists do what they do best?
. -Paul Thirkell - 3/18/2007
Reply
 Cool glad thats cleared up uncle.
. -Michael Florrimell - 3/18/2007
Reply
 What artists do best? Bore everyone to death with a whole lot of half baked interpretations of half baked French structuralist verbage about perception and representation that no humble non artist one cares about one little bit. No Paul, Artists must be dragged kicking and screaming and protesting into the daylight where they must be made to engage with issues relevant and comprehensible to the wider community and thus earn their keep.
. -Paul Somerset - 3/18/2007
Reply
 So you're in the Freedom portfolio next eh Paul?
. -Paul Thirkell - 3/18/2007
Reply
 No, WAR.
. -Paul Somerset - 3/19/2007
Reply
 Got to admit I was'nt bored with this portfolio or the others. 100% cool act good on all the artists for having a go. It takes courage for artists to step out side the boundry's they are used to. Most of the time artists are showing in print prizes or commercial gallerys or trying to get ahead of the pack in art run or state galleys. Not much time or value is put on giving work away for free or exchanging work with others. All I can say is I looooovvvvee getting works from other artists it lets me know a little about their day and how they are making prints. I kind of wish that the designers and the commercial photographers and the real press would step of their cash flow for a day and join in one year. Uncle Paul Somerset keep on trucking man 2006 was a good year for the roses.
. -Michael Florrimell - 3/19/2007
Reply
 Hey I like the portfolios may even sign up in 2008 myself. Keep up the good work Michael and Paul.
. -Chris Green - 3/28/2007
Reply
 Chris, there's still time to sign up for 2007.
. -Michael Zschech - 3/28/2007
Reply
 Looks like dots to me, but dots can have all sorts of meanings.
. -Jim Mc Dew - 7/18/2007
Reply
|
|
 |
 Jenny Kitchener
  The Almighty Dollar
Screen print
NSW, Australia
See more work by Jenny Kitchener
in the 2003 'Culture' portfolio
in the 2004 'Green Worlds' portfolio
in the 2005 'Landscape' portfolio
Send a message to the artist
 | |
add comment
 Jenny great responsive work. Yep the dollar sign, far to many people worshipping it these days. Thing is people you can't take it all with you. But yes solid progressive work again JK. I suggest to other artist take a look at JK's back log of work on our site, you will be impressed fine work of the highest order. Looking forward as always to seeing more work.
. -Michael Florrimell - 2/23/2007
Reply
 How can $$$ be a false god? Don't tell the investment bankers or the stockmarket traders or John Howrad's aspriational supporters like Santo Santoro.
I've seen the movie Wall Street a couple of times and Michael Doulas cleary says,'greed is good.'
. -Jim Brodie - 3/17/2007
Reply
 Jenny, excellent serigraphic print. Reminds me of some old hard cover or leather bound antique books I've seen that have been embossed with gold or other heritage type colours. I value the image of all the hands/arms up-stretched reaching out for their $god$ similar to that which happens today in most Oz penticostal cults. Stuff the poor just make me rich and richer 'god'. It's a pity that Ministry Watch Donor Alert at www.ministrywatch.org do not cover Australian Christian Ministries and alert donors about lack of transparancy, accountability and the fraud which is happening in some Australian ministries (all supported by the current government), for example what ever happened to the millions that were to go to aboriginal programes in New South Wales but ended up being given to NSW Hillsong cult where the treasurer, Peter Costello and John Howard have been filmed praising the $Lord$ with their hands in the air (from Today Tonight TV report). But then what of what is said to be Australia's national creed all fits in: 'if it moves shoot it, if it doesn't chop it down'. Jenny, this is a print with guts.
. -Michael Zschech - 4/10/2007
Reply
 Excellent work I like the dollar and gold signs, a big attraction for most punters up here in Scotland Jenny. I could do with some gold being a poor artists is it the same in Australia.
. -Jimmy Mc Dew - 7/18/2007
Reply
|
|
 |
 Paul Laidler
  Sex God
Pigmented inkjet print on HP heavyweight coated paper
BRISTOL, UK
Send a message to the artist
 | |
add comment
 Paul, a 'bewdy' inkjet print. Not a 'gone to Gowings' type print but a 'bewdy'.
. -Michael Zschech - 2/22/2007
Reply
 Amazing likeness Paul L hahaa. A print close to my heart and well concepted. Did you make the blow up and have you seen the film Blow up hehehehe. Must be a bike riders dream I think.
. -Michael Florrimell - 2/22/2007
Reply
 Michael F, yes the likeness is uncanny and as for a blow-up sex bomb, where can visitors to this site get one and get one quickly?
. -Michael Zschech - 3/1/2007
Reply
 This has to be the British archetype. Perhaps it is because of the climate that the poms like alluding to sex so much. Never have I encountered such a nation of sex pots, it seems the women all can't wait to flick their knickers off at the first opportunity and the blokes have to anesthetise themselves with 10 pints every day just to keep the population under control. My wife's home town Brecon was named the most promiscuious town in the UK, so I suspect that must make my father in law the most promiscuious man in the world.
. -Paul Somerset - 2/27/2007
Reply
 True, most Britians I've ever had any dealings with, all at some point have used the phrase: 'I'd like to give him/her a bit'. No whinging when it comes to giving a bit. I've always wondered if it's to do with the number of mackerel-snatchers or WASPS that live there and I don't think it's to do with Muffti power. It could also be an evolutionary gene as chimps 'give a bit' to every other chimp they come across to create social bonding and stop fights.
. -Michael Zschech - 3/1/2007
Reply
 Mmmmm Ive been to UK 3 times and yes the poms do love it. But the wierd thing about the times I spent there was I ended up partying with every one else except the poms. The Italians were the most fun, scoccer in Hyde park, clubbing in Riddim houses in Notting hill with Jamacians, bike riding with Germans at Hamstead Heath. But your right the poms are actually know as the London Vampires as they only come out after dark, like very late.
. -Michael Florrimell - 3/1/2007
Reply
 All these racial comments make Mustafa feel deflated.
. -Paul Thirkell - 3/17/2007
Reply
 Umm yes nothing racial about not wanting to hang out with the poms, it's just west Indians are more fun in a clubbing kind of way. Love the poms always good for a drink and a laugh.
. -Michael Florrimell - 3/18/2007
Reply
 All these racial comments make Mustafa feel deflated.
. -Paul Thirkell - 3/17/2007
Reply
 No one is being racial. Even the cricket commontators say Poms don't they its an Aussie slang as far as I was concerned. Come uncle get it together EPPM is about having a go and a good old chat on the web site.
. -Michael Florrimell - 3/18/2007
Reply
 Pau
If this is an English sex god why isn't he wearing a bowler hat, or a top hat or one of those neat bearskin hats like the guards at Buckinham palace or a strange beanie or sombrero like the Barmy Army?
Maybe you could take the sex god to the cricket the next time the Aussies play England.
. -Jim Brodie - 3/11/2007
Reply
 Hi Paul sorry to hear your not coming back had enough of good old Aussie humour. Ahhh you poms are a dry old lot. Well I hope to see you anyway in London in August.
. -Michael Florrimell - 3/13/2007
Reply
 Hi there plastic man. Do you really look like this, very 70's disco man.
. -Jason Stolanck - 3/14/2007
Reply
 Hey Paul if nothing this guy would make a good stand in if you had a double date. But I would not relie on him saying much to defend you if you got court.
. -Chris Green - 3/28/2007
Reply
 Hey Paul come up to Scotland with your friend one day and well do the pubs. He might be a good chat up line with the girls. Is this really a self portrait.
. -Jimmy Mc Dew - 7/18/2007
Reply
|
|
 |
 Bruce Latimer
  untitled
Etching
NSW, Australia
Send a message to the artist
 | |
add comment
 Hi Bruce, Great work one of my FAV'S and well worth the recom from Gwenda and Anne the two judges. Glebe Island bridge, the city link to the west of Sydney walked across and riden across by my self many a time on the way to Balmain to work with Paul S at his office. Not to mention all the day's when working at SCA in the early 1990s. MMMM yeap those cars and their stinking polution hahaha. Riding a bike in Sydney is getting a joke you need a mask now not joking. Still amazing work in every format of printmaking as a force Bruce excellent work hope to see you again in 2007 portfolios. IF ever in Melb drop me a line. PS Bike riding in Melb is flater but the cars are just as bad.
. -Michael Florrimell - 2/21/2007
Reply
 Bruce, I'm trying to work out the view-point of the bridge. Is it looking from China Town or from Habberfield/Leichardt or is it the idea and not the wiewpoint? I went back and forth over this bridge to go to work and home for years n years. The last day I crossed it I was so happy knowing that I was about to leave the 'false god' called Sydney and all of it's false images and false, greaser, social expectations. I don't miss the cars/fumes and the over priced crap accommodation it sells. But for all of those that are still trapped there: "work harder, faster, harder, faster, an 18 hour work day now, vote Labor, harder, faster, etc...). I like this print because it reminds me of a time when I was as happy as a boxing kangaroo in fog. It is a strong reflection of reality. More thanks Bruce.
. -Michael Zschech - 3/28/2007
Reply
 Bruce, I'm trying to work out the view-point of the bridge. Is it looking from China Town or from Habberfield/Leichardt or is it the idea and not the wiewpoint? I went back and forth over this bridge to go to work and home for years n years. The last day I crossed it I was so happy knowing that I was about to leave the 'false god' called Sydney and all of it's false images and false, greaser, social expectations. I don't miss the cars/fumes and the over priced crap accommodation it sells. But for all of those that are still trapped there: "work harder, faster, harder, faster, an 18 hour work day now, vote Labor, harder, faster, etc...). I like this print because it reminds me of a time when I was as happy as a boxing kangaroo in fog. It is a strong reflection of reality. More thanks Bruce.
. -Michael Zschech - 3/28/2007
Reply
 Bruce, a 'true blue' etching. Not a 'snag short of a barbie' type print but a 'true blue'.
. -Michael Zschech - 2/22/2007
Reply
 Bruce can I call you Bruce. Excellent image know the bridge well. Like your detail in your work.
. -Jason Stolanck - 3/14/2007
Reply
 Great work Bruce, look forward to seeing more on the EPPM web site. Sydney must be a busy city like London.
. -Jimmy Mc Dew - 7/18/2007
Reply
|
|
 |
 Carinna Parraman
  False Gods
Inkjet and screenprint
BRISTOL, UK
Send a message to the artist
 | |
add comment
 Cool work I like the screen line effect and the combination of screen and digital. Like to see more in 2007.
. -Michael Florrimell - 2/23/2007
Reply
 Carinna
I like the print. Did Milton work for Oliver Cromwell ?
. -Jim Brodie - 3/11/2007
Reply
 Another grave stone?
. -Jason Stolanck - 3/14/2007
Reply
 No jason.
This is a sculpture of a Greek god. Not all carved images are gravestones.
. -Jim Brodie - 3/17/2007
Reply
 Thanks Jim, I must have been hanging out in to many grave yards and not enough Art gallery's. Greek God ehhh well what you know about that. What's so true and false about that anyway Jim. OOHHH God right yeah there's plenty of God's to go around these days, I mean look at all these wars about Gods. Still it could go either way I suppose. Hey have a great day Jim.
. -Jason Stolanck - 3/19/2007
Reply
|
|
 |
 Michael Prior
  La Madonna Anna
Digital photograph
VIC, Australia
See more work by Michael Prior
in the EPNP gallery
in the 2005 'Portrait' portfolio
in the 2006 'Refugee' portfolio
Click here to visit Michael Prior's website
Send a message to the artist
 | |
add comment
 Michael, a 'pure merino' digital/photo print. Not a 'drives uphill with the clutch slipping' type print but a 'pure merino'.
. -Michael Zschech - 2/22/2007
Reply
 Very cool work Michael P. I like the combination of the contempory model with the historical reference to religion. A very pure work. Also like the colour used gives the work a 17th century look with the olives and orches.
. -Michael Florrimell - 3/1/2007
Reply
 This is what fine arts is really all about - extending the power of the wealthy by glorifying the collections of mythologies that the church has used to controll its subjects. And up until rather recently it was very bad news if you didn't choose to go along with it. BUT in about 400 years ago along came the printing press and what a cascade of changes that made to freedom of thought - it opened the way for a whole new collection of rogues to take power over peoples lives.
. -Paul Somerset - 3/2/2007
Reply
 500 years and yes the first artists to push the technology of the press were artists employed by the church to spread the word. Thus today we all have mobile phones and computors to do the same thing. Its about how and why you want to use any medium of communication to spread a message or policy etc etc.
. -Michael Florrimell - 3/2/2007
Reply
 Sorry got cut off hahaha. Back to the print history lesson. Yes if you use anything like a television, computor, mobile phone etc you are in fact partaking in the process of communication. But don't think for one moment you are participating in your own personal art project. The interesting thing is art in Australia is usualy bashed out of most people by the time they are 10 year of age. But now with my space and you tube and other multi media programs for the mass public, we are seeing a lot more people taking up a personal page of photos and music etc. Control of the publics imagination has always been a goverment concern. Thats how advertising works. The idea now is to let everyone think about their own personal vision. Thus empowering the people to create for them self's and so they can see the retorical bullshit goverments and advertising corporations etc shove down our throats everyday via the media empires they use and own. HA its all a long way off though so at the moment its up to the few artists who call themselves artists to take up their own persoanl challeges. Keep on keeping on folks.
. -Michael Florrimell - 3/2/2007
Reply
 Well at least this is not a grave yard photo. Very rich photogrpahy Michael.
. -Jason Stolanck - 3/14/2007
Reply
 Hi Michael, I can tell that this Madonna isn't as Holy as she's making out. Off with the halo and down to the burlesque club every night. Interesting phenomena, your photos are great as are the actual prints -may they be photos or prints -who can tell these days?.
. -Paul Thirkell - 3/20/2007
Reply
 Good you have mentioned it, Michael Prior is one of Melbourne's coolest Burlesque photograph's Paul T. He is also the guy who shot my refugee portfolio photograph's. When you come down to Melbourne this year im sure Michael P would like to meet you and show you some of his work. The idea with layer's used in Photo shop is to bring about new and exciting way's of transforming print in the 21st century Paul T i'm sure you are aware of this as I've seen your work. The interesting thing I was thinking about is with theatrical photography you can go both ways leave the file untouched but use the costume and make up etc to work the magic or you can double up triple up the layer and effects of the photo shop. Michael P works both ways and i've seen some stunning works from him which are one shot no layers.
. -Michael Florrimell - 3/20/2007
Reply
 True, some of Michael P's work is seductive, beautiful and decorative. This is one of those works, other of his works can be seen on his personal website. The model is certainly done up like a pet lizard and I wouldn't be surprised if he/she has a death adder in his/her pocket. Kind of like romantic fiction 'kiss me then die' style. I like the reconstructure of the early, religious portrait format of 'The Holy Virgin Mother Madonna and Mother of Jesus' with a background moon/halo or is it the sybbolic frill of a frilled-neck lizard. Some nice frills on the necks of the lizards in the movie: 'Pricilla Queen of the Woop-Woop desert'! In a time when so much emphasis is placed on HAIR, it's a relief to see an image whithout hair.
. -Michael Zschech - 3/20/2007
Reply
 Excellent work Michael.
. -Jimmy Mc Dew - 7/18/2007
Reply
|
|
 |
 Emma Stibbon
  Congress Hall, Nuremberg
Photoploymer print on German etch paper
BRISTOL, UK
Send a message to the artist
 | |
Artists Statement:
As part of Albert Speer's overall plan for the Nazi Party Rally Grounds in
Nurnberg, the Congress Hall (designed by architects Franz and Ludwig Ruff)
was planned to assemble 50,000 people. Reminiscent of the Roman
Coliseum the project was never completed. It is the largest remaining National
Socialist building in Germany.
add comment
 Hello Emma, great work well worth the recomendation by the PCA and APW judges. Persoanl fav in the False gods portfolio. Yes the arena for the gods of politics, or art if you wish. The place where ego's and theories are let lose. Gladiators or politians let lose on the people don't know which is worse.
But yes well done from the thematic response to the portfolios theme false gods.
Would like to see more work in 2007 from you. Ill be in Spain for 3 months in August but would like to drop in at Bristol again. I keep saying to artists who participate give it another shot keep responding and participating. For eg Aine from London Ediburgh now has been with us since 1999 and her work grow's in different quilitys and directions. Look forward to seeing you back if possible and a lot more of your work. I did a work for the perpetual portfolio in 2005, if possible get Paul L to show you. It was about process printmaking and identity of place and artistic practice.
. -Michael Florrimell - 2/21/2007
Reply
 Another of Emma's series of works of grand designs with dark histories. This time as a polymer gravure, gravure, solar print-or whatever name you want to call it, instead of Emmas usual gigantic wood cuts (as are usually the case).To see is to believe.They wouldnt fit into the portfolio though. No gladiators here only frenzied rhetoric (see statement)
. -Paul Thirkell - 3/20/2007
Reply
 Thanks Paul T yes. I'm glad you choose the path of polymer gravure Emma very interesting print. Paul do you mean rhetoric as in architecture or about the UN or politics inside of a building as such. The most interesting event in Melbourne this year has been the G20 or what ever they call those meeting where the richest business corporate's get together to ponder the fate of the 3rd world people well sould but really chuck around ideas on how to make more money for them selfs. From the out set the National Goverment put the clamps on the media and the people of Melbourne and shut the doors to the meeting off which could of resolved the fate of Millions of starving people. Guess what they didnt go there. But interesting across town Bono and the rock gang were having a benifit to raise fund's to feed the people. John H would not meet with Bono, and the meeting Costello had with Bono was non eventful. So basically the Australian goverment were saying the G20 meeting is about money rich corporate peoples money. Need less to say nothing was gained. So it's interesting to note that a building made of stone and mud can contain a meeting of the people who can decide the future of another million people's struggle with life and death.
. -Michael Florrimell - 3/20/2007
Reply
 Wonderful work.
. -Jimmy Mc Dew - 7/18/2007
Reply
|
|
 |
 Paul Thirkell
  U.S and them
Digital print
BRISTOL, UK
See more work by Paul Thirkell
in the 2005 'Still Life' portfolio
Send a message to the artist
 | |
add comment
 Paul, a 'bonzer' digital print. Not a 'only got one oar in the water' type print but a 'bonzer'.
. -Michael Zschech - 2/22/2007
Reply
 At first this print bugged me. But now it's growing on me. The change of colour is in the edition as the paper colours change. The shift is in the image of the symbols and the negative of the like ness to George Bush produces a challege to the veiwers eye. Like a club or a cult image PT's work has meaning to high academic group of media interested veiwers. But at the same time the challenge is in the philosopical responce to the work in particular from other media artists. There are no simple answers to PT's work, but a little bit of faith would not go a stray on both sides of the fence PT.
. -Michael Florrimell - 2/22/2007
Reply
 I can't see George Bush. Why are there so many symbols of the cross in these works. Oh yeah I can see him now, but what is this stars and stripes magazine cover are you putting George up on a pedastal.
. -Jason Stolanck - 3/14/2007
Reply
 The clue is in the title dude!
. -Pau Thirkell - 3/14/2007
Reply
 Hi Paul
Is the clue about oppositions? Do you mean President Bush is opposed to Islam and Christianity?
I thought dude was that guy in the Dell computer commercials a couple of years ago.
. -Jikm Brodie - 3/17/2007
Reply
 Hi again Jim, You're obviously one of those " high academic group of media interested viewers"(MF 2/22/2007)- I can tell by your knowledge of TV commercials i havent seen. You're on the right track but wrong. Nevertheless i think you wrote the wrong answer in order to aviod being associated with this so called lofty group of boffins who take my work far too seriously.
. -Paul Thirkell - 3/18/2007
Reply
 What commercial. Left or right it's a USA kind of thing. I don't think you need to read to deeply into the GB debate. The cold hard facts are he followed his fathers foot steps into the middle east war. And just look at the results. Don't have to be an academic boffin to see through the shit GB has made. Man you could of made such a presence in the 2007 war portfolio.
. -Michael Florrimell - 3/18/2007
Reply
 Paul T, healthy yabber and you're not wrong! I like the checker-board game background, seems like all spaces are filled with both teams ready for the end of world, match to commence. What a blue that will be. I can't see George Bush but I can see a long-eared dog (maybe a basset in an RSPCA catching net or even a wool-classer) wearing a gas-mask. So maybe there are a few chemical weapons of mass destruction about to blow after the game commences and the ever omni-present US is prepared for a pre-emptive strike. Who has'nt got a biological suit in their wardrobe yet and what colours do they come in? But what about 'them', is 'them' prepared? PT keep the Woolloomooloo uppercuts coming for the Woop-Woop pigeons.
. -Michael Zschechb - 3/22/2007
Reply
 Michael the papers came in Orange, Blue, Green, Yellow and maybe red I suppose can't remember that far back. Interesting I didnt think the colours were a clue to something. MMMM radio active maybe orange, yellow like the sticker you mentioned. Biological suit yes I better go and get one of those straight away. I need it for riding my bike in Melbourne and Sydney and London and Madrid later in the year. Getting very stinky out there on the road folks. Back to the print Paul T are those symbols to do with science trolley's you know like all those Hollywood stars practice, moon gazzers, I think there related too. Um yeah Julia Church - English Australian printmaker huge in the 80's 90's Australian political poster scene directed her work so it was so obvious to the viewer there could be no miss take in the meaning of political posturing within the works, see also Gorilla Girls web site. To often in our modern context's we don't give enough detail and information on political works, abstract is hurting us. I would like to see this work made in a second edition of work but using silkscreen or digital graphic design construction. Kind of like a Russian constructivist would have done but more 2007. The concept is excellent but I don't like to guess to much. My own work suffers from being to abstract in meaning only giving the viewer a taste of the concept or political nature of the work. Maybe it's time for graphic design to take a leap into the printmaking circle again.
. -Michael Florrimell - 3/24/2007
Reply
 Hey is this a photocopy on colour paper. Sorry digial I just read the top of the page. Looks like a black and white photcopy. Maybe put some colour in next time if your going to use a digtal printer.
. -Jimmy Mc Dew - 7/18/2007
Reply
 Hey Paul I'll be in London in August Cambridge first 2 weeks then London from the 17th to the 31st August if around let me know. I have to do some study at the LPS and V and A. If this is of any interest. Will have a bike while there so bring yours if in London.
. -Michael Florrimell - 5/13/2008
Reply
|
|
 |
 Lucrecia Urbano
  Natural Face
Digital Print with wax
BUENOS AIRES, Argentina
Send a message to the artist
 | |
add comment
 Supurb print. The use of wax certainly adds a 3d effect and fragile nature to the digital work. Like to see more in 2007. . -Michael Florrimell - 2/22/2007 Reply
 Excellent work, is the wax the cloud areas of the print or is it coated in wax. . -Jimmy Mc Dew - 7/18/2007 Reply
 my english is not really fluence, in the work i add at the end the wax . I like to work with texture and this kind of ink help me very much to soak teh paper and combien techniques. Tanks to inetreted in my work, kind regards, lucre. . -lucrecia urbano - 7/18/2007 Reply
 Wonderful work Lucrecia was so cool having you as a special guest in our 2006 portfolios you are the first ever South American to contribute in our 17 years. We have a special guest in our 2007 from Madrid Spain. This is our last exchange portfolios as I am going to do further study in Printmedia in Australia. But we will try and make the web site more for artists to interact with and contact each other through. I would like it to be more like my space for printmakers so printmakers can chat and send images to each ohter over the web or in hard copy form. I think the world will have more enjoyment if we forget money and egos and exchange our art works with freinds from all over the world esp if they are people we don't know to start with. Good luck and write more on the site if you like tell someone you like their print artists like comments on their work good or bad. . -Michael Florrimell - 8/4/2007 Reply
 my english is not really fluence, in the work i add at the end the wax . I like to work with texture and this kind of ink help me very much to soak teh paper and combien techniques. Tanks to inetreted in my work, kind regards, lucre. . -lucrecia urbano - 7/18/2007 Reply
|
|
 |
 Marie-Therese Wisniowski
  Whose Church?
"Multiplexed" silkscreen prints
NSW, Australia
See more work by Marie-Therese Wisniowski
in the EPNP gallery
in the 2002 'Art and politics' portfolio
in the 2003 'Music' portfolio
in the 2004 'Revolution' portfolio
in the 2005 'Landscape' portfolio
in the 2006 'Refugee' portfolio
Writing by Marie-Therese Wisniowski
"Another Brick" Exhibition Notes and Pics (18/12/2004)
Pop Art
Legitimizing Prints as an Art Medium - A Generator of Future Processes and Art Movements.
(7/02/2004)
Printmaking (20/07/2003)
Send a message to the artist
 | |
Artists Statement:
This print juxtaposes the material wealth of the church
(e.g. golden chalices, monstrances, tabernacles, ancient seals and documents)
derived from capitalism against its spiritual wealth (e.g. Saint Francis of Assisi
and the cross of Jesus) and so directly raises the dichotomy, which challenged
the liberation theologians.
In 1973, a Peruvian Jesuit Father Gustavo Gutierrez published a book entitled
"A Theology of Liberation". The tenets of what became known as liberation theology
rested on freeing the people from political oppression, economic want and misery
here on earth. The underlying assumption was the preferential option that Jesus
showed for the poor. Was it not easy for a camel to slip through the tiny eye of
a needle than for a rich man - a capitalist - to get into heaven?
add comment
 Marie wonder ful work as always. I must admit I am glad you have returned to silkscreen as a medium as your screen work is so well done. The title say's it all true or false who's church indeed. Hopefully it's all for one one for all. But with a personal bend. Cool marie hope to see more in 2007 looks like another exciting year but I don't know if we will top 2006 biggest and best yet. . -Michael Florrimell - 2/22/2007 Reply
 Thanks Michael, The topic I was researching, the material wealth of the church in juxtaposition to the liberation theologists etc, needed rich, opulent and heavily layered, ornate imagery to encapsulate the concept. My 'Multiplex' screenprinting technique creates the rich surface layering of colours and images that I like to employ for such works. I'm really pleased that you like the print and the concept. Great that 2006 has been so successful . . . I'm sure that it will only get bigger and better with each year ! ! . -Marie-Therese - 3/8/2007 Reply
 Really interesting idea about the juxtaposition of theologists or religions. Kind of like the idea of all the churchs and religions acting as one to help out poor old mother nature. But also the concept of all religions working with each other for the better cause and not fighting for power over each other. Your use of multiplex silkscreen is kind of like the layering of images which build a whole story but in a collage of material. I would just like to say, this kind of generation of images really does confront and challenge concept of the amount of images and information we as contempory humans take in each day. It is also about the different posibilties of the facts confronting us via media lets say. One persons story can be completely different to anothers. As artists the interpretations we make are differnt in every case. For eg an apple on a stand in a life drawing room may be drawn different by each artist. I suppose each person would have a different opion on religion as well. Its all so complex but interesting at the same time and I find myself as a printmaker using the layered forms of mediums more and more in my work. In fact my print archive series which is double sided multi layer multi medium works are kind of linking back to the hand made manuscripts of the past. Also for the photogrpahic images the printmaker series I have been using photoshop layer tech's for varies parts of the works as whole. Cool Marie look forward to seeing more of your work in 2007. . -Michael Florrimell - 3/8/2007 Reply
 Hey Marie-Therese, a strong screen print that brings back memories of the numerous serigraphs I printed yonks ago. Your artist's statement spells it out clearly. And the title 'Whose Church?', well that's the issue isn't it. Many people whom have a genuine spiritual rebirth or conversion which relates to God and not to flesh, start off as genuine missionaries wanting to assist those less fortunate (a pure motive), nearly all end up trapped by one of the many organised religious cults/sects which prey on the good motives of the individuals to make themselves (the capitalistic leaders - the amen snorters) richer and richer. Christianity equals capitalism? I find that those whom are not financially rich are much more rich in many other ways than those with $$$ capital. Yes, we need more Christ-like spirits as Jesus had when he went into the Jewish temple and drove the money changers out with a whip and turned the tables of the 'peace dove' sellers over. He was not acting the angora but I'm sure he was all over the place like a mad woman's breakfast during the event. Now for today, who's in the eye of the storm or just passing through the eye of the needle without materialism strapped to their back? MTW - any plum pud? . -Michael Zschech - 3/24/2007 Reply
|
|
 |
 Michael Zschech
  Assemblies of Dog in Australia
Digital Montage
TAS, Australia
See more work by Michael Zschech
in the EPNP gallery
in the 2002 'Art and politics' portfolio
in the 2003 'Fashion' portfolio
in the 2004 'Revolution' portfolio
in the 2004 'Green Worlds' portfolio
in the 2005 'Landscape' portfolio
in the 2005 'Still Life' portfolio
in the 2006 'Refugee' portfolio
Writing by Michael Zschech
Not every person ... (22/01/2004)
Visit this Wilderness World Heritage Site - Blind Man's Bluff (7/09/2004)
"Oieh! Oieh! Oieh!" (11/03/2006)
Send a message to the artist
 | |
Artists Statement:
This work is about cults and sects in Australia, the false/fake healings of cancer, etc, the prosperity doctorine (only the rich are God's chosen), the inciting of hatred towards the Greens Party, the leadership sex scandles, fraud, tax avoidance,
demon possession (not mentally ill) and blind faith teachings.
add comment
 Michael another stunning work the old signature list. Interesting to see the ASIA Pasific trin at Brisbane gallery it was like the curator'ss had said well here is your space now go fill it. The works were progressive and political and interactive as units in public sphere but what lacked was interaction between artists. Curators play up to the artist's ego time and again in this country and establish a list or group of in house fashionable artist's. What buggs me though is that artist's play right in there with the path's which are set for them. But back to this print yes bullshit lists fight the bullshit a wonderful work Michael Z keeping it real in 2006 hope to see more in 2007. . -Michael Florrimell - 2/22/2007 Reply
 This very interesting work what are the names, is that really cow poo. . -Jason Stolanck - 3/14/2007 Reply
 Jason nothing wrong with a little bit of cow shit on the boot. The work is centred more around the debate of signature. It seems this is still the case as strong as ever in Australia but the shift has been directed more to expert in a small field of cult knowledge. After attending a few lectures at my Art college in Melbourne of late I noticed the speaker keep his knowledge and commitment to specific terms and areas of interest. But I did notice the big type on the poster advertising the speakers. I suppose what really counted for signature was these artists are now considered curators, multi media artists, film makers etc, all in the one breath. The other interesting idea is the repeat performance year in and out HAHAH I remember more than half of the locals from 20 years ago when I was a student back in Melbourne when these people were middle aged. Still to be fare these artists do have some very interesting and directed points of view. I'm mean it's not like a chat room like this. These are serious people and I consider their observations on Art culture in a respectful manner by at least hearing them out. The signature is not about belief Jason, its about taking a look see into the realm of other artists portfolios to see what they are doing and thinking. Come join EPPM we would like to see what you are doing. . -Michael Florrimell - 3/20/2007 Reply
 Hi Michael and Jason, thanks for the comments. It is interresting to see how others view the image and what it says to them. Jason, no it's not cow poo it is a scan of a dried out pad from a local bull's paddock. So it's genuine bullshit not cow poo. What are the names of the sects/cults in Australia (and overseas)? Some names and examples of their 'bullshit' can be found at Ministry Watch Donor Alert: www.ministrywatch.org. You can log onto this site a report your concerns (fraud, etc...) for all to read. Cargo Cult prosperity theology by current 'Pharisees' turns 'the spiritual' into an industry which is total bullshit compared to it's essence. Who said: 'You have turned my house into a den of thieves and not kept it as a house of prayer'? I have used the bullshit image taken from the literal use of the word, as has been referred to digital prints compared to traditional type prints. So it's also a personal reaction in relation to my own current work and what others think about digital printmaking. Michael, the signature thing is a 'big' thing in the art world. I try to view every artwork without trying to recognise the signature. I have to stop myself from wanting to know whom the artist is even before looking at the art work. As it's about the image and not about the name isn't it or is it Larry Doley time? . -Michael Zschech - 4/19/2007 Reply
 Excellent print Michael. Its the same in Scotland all this signature rubbish. I think artists should stop signing their names on art works let them speak for themselves. Still keep up the good stuff. . -Jim Mc Dew - 7/18/2007 Reply
 Yes, see the article, 'The High Cost of Faith', News Limited, Australia/April 29 2006 by Jenny Sexton @ http://jmm.aaa.net.au/articles/19868.htm. Jenny says it all. Go Jenny! . -Wonda Round - 8/10/2007 Reply
 Oh yeah, the AOD (G?). I'm still waiting to see medical and scientific proof and evidence to disprove the false claims of healings, which these cults say happen are actually false and deceptive. These false shows are used to give false hope to the desperate, thus allowing the Amen snorters to control and eventually rip off all of the person's money and assets. Keep right away from anybody whom has association with any AOD sect. Stay right away and avoid, avoid and avoid. The AOG is a corrupt, tax payer funded $business$ cult. . -Ben Dover - 10/3/2007 Reply
 Ben, thousands and thousands of people think the same. Have you heard about NSW AOG Hillsong's latest advice to members on how to get healed after their "healing" doctorines fail? . -Wonda Round - 10/14/2007 Reply
 Wonda, no I haven't. Please do tell but I hope you are not going to shock-shock-shock me as I'm a very sensitive person. . -Ben Dover - 10/14/2007 Reply
 Ben, In brief NSW Hill$ong pastors advise people whom have not been healed after Hill$ong 'healing' rituals fail that they should go to "SANOVIV", Health Institute in San Diego - Mexico and get coffee douched up their bums to heal prostrate cancer - as one example. Costs are about $US75,000.00 per week and can be booked through Hill$ong travel agents. Anybody for a Mocha Latte? . -Wonda Round - 10/16/2007 Reply
 Wonda, I Googled 'Sanoviv' to get more information. I don't think I'll ever drink coffee again. And Hill$ong is where John Howard and Peter Costello raise their hands and praise the $LORD$. No thanks no coffee for me Dog$. I'll be voting GREEN. . -Ben Dover - 10/16/2007 Reply
 I went to hill song and Peter Costello and Bob Carr got up to praise the Hill song lord and cash in some votes no doubt. Still it was free and I had some easter eggs and coffee free for desert took a few photos of the extraverganza show they had on etc. Really was not such a bad night out when your broke and want a warm place to go in winter. Would recommend it but don't put in any cash to the coffins there hey what do you expect hahaha. PS its the poly's doing the fillin at Hill song not the preachers they just work there. . -mflorrimell - 5/18/2008 Reply
 Fraud, lies and deception. That is what this print is about. Genuine Bullshit! To read how this happening NOW today throughout Australia go to:http://interceder.net/info.aspx?s=Michael Guglielmucci. These types of people and all those that associate with them - AVOID. AVOID. AVOID. . -Michael Zschech - 9/15/2008 Reply
|
|